Posted by: Nick Walters | June 17, 2014

James: La Petite Mort

The stunning cover of the new James album is a pretty accurate indication of its contents.

This, James’s second full album since their reunion, is among their very best. The days of Sit Down and Laid are long, long gone, but James’ fire certainly has not gone out. Indeed it burns brighter here than on any of their albums since, arguably, Whiplash. This is a joyous, life-affirming, uplifting album with dark undertones; its theme seems to be ‘in the midst of life we are in death, et cetera.’ Lead single Moving On was written in response to singer Tim Booth’s mother’s passing, and it is truly wonderful and affecting, as is the astonishing video. This bereavement underpins the whole album from its title to its macabre skull/carnival imagery. It  is, however, not a maudlin record – quite the opposite: second track Curse Curse is a bona fide rave anthem and Gone Baby Gone is a fine piece of pop gibberish, totally meaningless fun fluff which contrasts with the record’s weightier themes. Talking of which, Interrogation is the album’s stand-out, a stunning piece of music over which Tim Booth rails and wails against injustice. Now in his mid fifties, Booth sounds just exactly as he ever did, or perhaps even better – and the band are at the top of their game. Larry Gott’s keening, melodious guitar and Andy Diagram’s trumpet flourishes are instantly familiar and reassuring, but it is Mark Hunter’s keyboards that dominate the album and indeed is the first thing you hear on the seven-minute opening track Walk Like You.  However, three consecutive songs on ‘Side 2’ are dominated by Hunter’s piano melodies which does make them seem a little samey on first listen. The production doesn’t help here, not giving these three tracks space enough to breathe, but this is a minor criticism as overall the music has a warm, involving sound. The album ends with the extremely moving All I’m Saying which is one of the best closing tracks to any James album. At ten songs La Petite Mort doesn’t overstay its welcome and leaves you wanting more. James fans should love this, and it’s a fine starting point for the curious. Strange that an album about death and bereavement is proving to be the album of the summer, but there it is!

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